Out of Line: Ralph Steadman - A biography in 27 artworks

Out of Line: Ralph Steadman - A biography in 27 artworks

£20.00 Ex. VAT
Sale price  £20.00 Regular price 
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Out of Line: Ralph Steadman - A biography in 27 artworks

Ralph Steadman

Out of Line: Ralph Steadman - A biography in 27 artworks

£20.00 Ex. VAT
Sale price  £20.00 Regular price 

Artist, illustrator and writer Ralph Steadman has enjoyed a prolific 70-year career. In this TIN MAN ART publication, written to coincide with his 90th-birthday year and our landmark exhibition 'Ralph Steadman: Out of Line (Original Works 1961-2016)', Annunciata Elwes tells the whole story, from his early years producing humorous cartoons for newspapers in the 1950s and experimenting with his signature, through to pioneering Gonzo journalism with Hunter S. Thompson in 1970 and his observations of American life and British politics. 27 artworks provide linchpins in this small biography, with fascinating insights, such as why Johnny Depp's face is always in collage (he's too handsome to draw), what Steadman really thought of Maggie Thatcher, and the time he spent 18 months re-creating Da Vinci's The Last Supper on his bedroom wall. The book includes an Afterword from Sadie Williams, Steadman's daughter and director of the Ralph Steadman Art Collection.

Softcover 21 x 21 cm

About Ralph Steadman

Ralph Steadman’s career spans an extraordinary seven decades. His artwork was first published in the Manchester Evening Chronicle in 1956 and his satirical cartoons first appeared in Punch and Private Eye in the 1960s.  In 1970, he met Hunter S. Thompson and created the iconic artwork for the Kentucky Derby and later Fear and Loathing in Las Vegas; this marked the start of a lifelong collaboration, pioneering Gonzo journalism.

Amid illustrating classics including Lewis Carroll’s Alice in Wonderland (1967) and Robert Louis Stevenson’s Treasure Island (1985), he has also written and illustrated his own books such as I Leonardo (1983) and The Big I Am (1988), as well as many children’s works, designed theatre sets, such as for the Royal Opera House’s The Crucible (2000), and provided drawings for three books on extinct and endangered creatures.

Steadman is still listed as Gardening Correspondent for Rolling Stone magazine, a hangover from his Gonzo days. His uniquely savage ‘inky, blotty style’ remains sought after - from Breaking Bad box sets to fashion collaborations with Nike, Vans and, more recently, Alexander McQueen – as he continues to influence artists around the world.